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Prologue screen: 谨以此片纪念九一八事变76周年

Translation: Film commemorating 76th anniversary of the “918 Incident”[Note: Mukden Railway Incident of 18th September 1931]

Brief review: This 16-minute film (“Record of Atrocities Committed by the Japanese Military during the Invasion of China”) sets the scene for the second Sino-Japanese war, beginning with a historical background which includes the first Sino-Japanese war and the annexation of Taiwan.

It covers the Mukden railway incident of 18th September 1931, where the Japanese military instigated an explosion, upon which pretext the invasion of China was sanctioned, leading to the annexation of Manchuria and the establishment of the puppet government of Manchukuo in 1932. This led to incessant fighting in various cities and towns until July 1937, whereby following unannounced military manoeuvres and on the pretext of locating a missing Japanese soldier, the Imperial Japanese army launched multiple attacks around the Marco Polo Bridge outside Wanping city, southwest of Beiping (Beijing). This eventually escalated to all out war and led to the fall of Beiping and Tianjin, followed shortly by the Battle of Shanghai. Once Shanghai was secured, the Japanese Imperial Army headed for the nation’s capital at Nanjing, which fell into Japanese hands in December 1937.  

The film contains disturbing and explicit archival footage, in particular of the carnage from the Nanjing Massacre, including clandestine footage of civilians being rounded up, injuries inflicted, and scenes of mass murder. It ends with scenes at a commemoration ceremony at Nanjing Memorial, where Nanjing Middle School (secondary) students pay tribute to the memory of those lost.


 
 
This film, directed by Frank Capra, and created under the aegis of the US War Department, is one among a series of documentaries titled "Why We Fight;" the first being "Prelude to War" (which won an Academy Award for Best Documentary in 1942) and the last being "Know Your Enemy - Japan" which was released on 9 August 1945 (the day Nagasaki was A-bombed) and withdrawn from circulation following Japan's surrender. The Battle of China was the only film which focused on the war in the East. Dower writes that this series was required viewing for American soldiers; and the first three documentaries in the series impressed President Roosevelt so much that it was also shown in public theatres. The series was also distributed abroad with soundtracks in French, Spanish, Russian and Chinese. What makes this series so useful is that it provides an insight into the wartime mythology that was built around common (mis)perceptions of the Axis enemies - their culture, their history and their motivations, and it also serves to highlight the perpetuation of the simplistic yet effective ideology which framed the war as an 'Allies vs Axis',  'good vs evil' and a 'Us vs Them'  struggle. [See John W. Dower (1986) War Without Mercy: Race and Power in the Pacific War, NY: Pantheon, p. 15-32]

Original video link at www.archive.org